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By James Wright

The lifestyles and paintings of an immense American poet defined in his personal words.

"There is whatever in regards to the very shape and celebration of a letter--the probability it bargains, the opportunity to be as open and tentative and unsure as one likes and likewise the opportunity to formulate definite principles, very precisely--if one is fortunate in one's thoughts," wrote James Wright, one of many nice lyric poets of the final century, in a letter to a chum. The nice Conversation is a compelling assortment that captures the exhilarating and relocating correspondence among Wright and his many associates. In letters to fellow poets Donald corridor, Theodore Roethke, Galway Kinnell, James Dickey, Mary Oliver, and Robert Bly, Wright explored topics from his inventive approach to his struggles with melancholy and illness.

A vibrant thread of wit, gallantry, and fervour for describing his travels and his cherished flora and fauna runs via those letters, which commence in 1946 in Martin's Ferry, Ohio, the fatherland he might memorialize in verse, and result in ny urban, the place he lived for the final fourteen years of his existence. Selected Letters is not any lower than an epistolary chronicle of an important a part of the midcentury American poetry renaissance, in addition to the clearest biographical photo now on hand of an important American poet.

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Mircea Ionescu-Quintus Siutghiol1 In the great bucket the waves are still; silent, the excavators dig no more; the jaundiced moon has fallen ill reflecting on her face in water. The frogs and crickets have started to chatter, at lake edge the rushes rustle; nothing endures from the day’s bustle but the black bird cawing his broken vespers From “Rex” over there float jazzy strains like notes suspended on a wire stave, like the renewed memory of an old pain, like the first thrill of a late love. Tracers and stars play in the night vagabond rest takes a chilly seat the whispered stories lie awake the stones, asleep with their snouts in the lake.

Paula and Cyrus Console-Şoican Kansas City, 2012 This page has been intentionally left blank. Preface Cuvânt înainte xxxvi The Devil’s Grinder Cuvânt înainte Nu a fost în intenția mea și nici nu mi-am dorit cumva să dau publicitații mărturiile adunate în această carte și—cu atat mai puțin să-mi fie traduse într-o altă limbă. Ele consemnau și aminteau cumplitele fapte și împrejurări de asuprire și de lipsire de libertate a popoarelor din răsăritul Europei, ca și a celui român, de către un regim politic tiranic și profund inuman, adus și instalat prin forța Armatei Roșii ”eliberatoare”!

Mircea Ionescu-Quintus Midnight How full of mist Are my eyes, How deserted My surroundings And how old Has grown my soul. Not even One single star In this night of mine When, With fingers of ice I write you, I write you. 11 12 The Devil’s Grinder Sărman Icar Visai să zbori spre soare, iară, mai liber, fără de habar; şi meşterind pe-aripi de ceară, ai adormit, sărman Icar . . Mircea Ionescu-Quintus Poor Icarus You were dreaming of flying towards the sun, again, free, freer, without a care, and mastering your waxen wings, you drifted off, poor Icarus .

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