Download Alfred de Musset by Ariane Charton PDF

By Ariane Charton

'Un poète peut parler de lui, de ses amis, des vins qu’il boit, de l. a. maîtresse qu’il a ou qu’il voudrait avoir, du temps qu’il fait, des morts et des vivants, des sages et des fous : mais il ne doit pas faire de politique.'

Enfant poor du romantisme, Alfred de Musset (1810-1857) fut considéré de son vivant comme un météore qui n’avait jamais donné los angeles pleine mesure de son expertise. On ne voulait voir en lui qu’un auteur de comédies charmantes, de contes légers et de poèmes lyriques. los angeles Confession d’un enfant du siècle fut publiée dans une sorte d’indifférence : il ne chercha jamais à dissiper ces malentendus. Observateur désabusé d’une époque qui l’ennuie, il est pourtant celui qui dit le mieux le désenchantement de sa génération. Trop souvent réduit à sa réputation d’écrivain sentimental et à sa liaison avec George Sand, Musset est notre contemporain : parce qu’il position sa vie et son œuvre sous le signe de los angeles modernité et de l. a. liberté individuelle.

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Extra resources for Alfred de Musset

Sample text

True poetic inspiration is the rarest thing that exists. And I’m not using the word poet here in the intimate sense it holds for me, but rather in its habitual sense, since, for me, there has never been a single poet in the history of the planet. Today I affirm completely, as I did ten years ago in the Atheneum in Buenos Aires: "There has never been a single poem written in the world, but only some vague essays on how to write one. Poetry is yet to be born on our globe. ” I sometimes wonder if it will not go by unnoticed.

I sometimes wonder if it will not go by unnoticed. Let’s make it clear, then, that each time I speak of "poet” I simply use the term to be understood, like stretching a rubberband to encircle those who are nearest the importance which I assign it. During the period of the magazine Nord-Sud, of which I was one of the founders, we all had more or less the same orientation in our outlooks, but were far enough from one another at the core. 4 While others were making oval skylights, I was making square hori­ zons.

Everything that passes through the body of the poet must be subjected to the greatest possible amount of his heat. Here something as vast and enormous as the horizon is humanized; it becomes intimate, thanks to the adjective SQUARE. The infinite nests in our heart. 2. The indefinite becomes precise. In shutting the windows of our soul, whatever was able to escape, gasify, and unravel, remains en­ closed and is solidified. 3. The abstract becomes concrete and the concrete abstract. This means the perfect balance, since if the abstract leaned toward the more abstract, it would dissolve in your hands or filter through your fingers.

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